Yesterday I had to go into one of those huge city office towers to drop off some documents. It was the kind with a concierge in the lobby to direct you to the correct floor, and a stream of suits, motorcycle couriers and cycling lycra coming and going through the glass lifts. I spent a large chunk of my twenties quite unhappy in office buildings like this, and whenever I end up back inside one I feel very uncomfortable as the negative memories come flooding back in.
Read MoreYesterday's song. I took the word spine from the previous day's piece and used that as the starting point for some writing exercises. I did some image searching of X-Rays for inspiration, which are strangely beautiful to look at. I took the notes from my favourite chord from the previous day's piece and used them as a basis for the harmony of this improvisation.
Read MoreThis piece is not what I was originally working on yesterday. I had planned out a whole story-song and done lots of timed writing exercises to generate material to work with, but by the time I got that far it was after 11pm and I was exhausted. I looked up from my piano and into the mirror and my eyes were red and watery, so instead of pushing through I changed tact and did something much simpler.
Read MoreThis is Sunday's, and another very quick improvised piece. I followed on from the previous day by taking the fingers theme, and rather than improvising everything I did do a quick writing exercise, inspired by the sounds outside my lounge room window.
Read MoreKeeping with The Getting Of Wisdom theme from the previous day, this piece is named for the protagonist Laura's sister, Pin. Pin is nicknamed Res'vor by their housemaid "on account of her perpetual wateriness", and so I worked with the idea of tears welling up for this improvisation. I had about a ten minute window to get this done, so I improvised it completely, without doing any thinking or writing exercises first.
Read MoreOne of the challenges to staying creatively productive is fitting the creative work in with the rest of your life. Before I went off to study music I worked a series of 9 - 5 jobs, however I only ever worked four days a week for most of that time. I tried my best to use my day off for creative projects, and I did accomplish a whole lot of creative things during those years. Ultimately, however, I found the constant shift between corporate and creatively mindsets exhausting. I think I'd be better at it now that I have some robust processes in place, but I do find it much easier when my work and creative practice are more closely related. My mind is never far away from music or art now, and my social circle is full of people who understand and support my lifestyle.
Read MoreI'm coming to the end of the third week into my full teaching schedule, and I'm starting to feel a little burnt out. When I don't have a lot of time for working on the day's piece I fall into tried and tested habits and processes, and while I'm in the composition process my inner voices are telling me that the music is becoming routine and uninteresting as a result. Many of the processes help me turn off those inner voices, but perhaps as I get better at using the processes the voices get better at finding their way through my defences. I think the answer is to keep introducing new processes and composition exercises, to keep my brain distracted from self criticism.
Read MoreFriday's deadline failure has made me realise that 2am bed times for the rest of the year are just not sustainable, especially when I am teaching at 8:30 or 9am the following day. I have generally been good at actually writing and recording the day's song before midnight (or at worst before 1am), but I don't feel my task is complete until I edit the video, upload it, write the day's blog post and then share it across my social media platforms.
Read MoreI composed and recorded this one after having a wonderful chat with an old friend of mine for next week's episode of Mind Over Myth (which is now available for you to subscribe to on iTunes). He stayed for dinner, so once again I was chipping away at my daily song late at night. Since transitioning to a career as a musician and music teacher I have struggled with the change in schedule. Unlike my old 9 - 5 jobs, I do the bulk of my work in the late afternoons and evenings. The habit of many years' relaxing in the evenings is a hard one to break, and I feel strange and guilty if I sit down in the morning or early afternoon to watch a film, knit or sew, or just do something mind numbing for a few hours. All the late-night songwriting is taking its toll, however, and I realise I really do need some downtime. I spent a few hours before lunch today watching Vice documentaries, and there was one about Romanian witches that stuck in my mind. In particular, it was the idea of the witches tearing open the sky to read the future that really struck me.
Read MoreThis piece is improvised, following on from yesterday's themes of transport and rain. Yesterday it was a car, today a train. I wrote the text first, then freely improvised with it and recorded only one take. While I like spending time crafting and perfecting a piece of music, I also love improvising freely, and there is something particularly interesting about the very first performance of an idea. My composition process involves recording improvisations like this and then listening back to them for ideas to expand upon, but those improvisations rarely make it past a voice memo on my phone. This project gives them a reason to exist as compositions in their own right, and I am excited to develop this part of my practice as the year progresses.
Read MoreI have two younger sisters, and we are close in age and in friendship. My middle sister moved to New York last year, and although the internet makes it easy for us to send little messages back and forth throughout our respective days, it's not the same as having her here in Melbourne. I worked with the theme of distance from yesterday's piece, and wrote this for her. Recording it made me a little emotional, because I miss her, and reminds me of the power music has to move and change us, and make us think. Songwriting, for me it seems, is a balancing act between keeping unhelpful emotions out of the process, while allowing helpful emotions to flow freely through the composition and the performance.
Read MoreIt's summer in Melbourne, and even though it wasn't particularly hot today my flat just won't cool down. I don't like to play or practice with the windows open for the sake of our neighbours, so spending time locked in a small room with no airflow has been particularly uncomfortable the last couple of days. I got about half an hour of guitar scales in today before I'd had enough, so I kept today's piece very simple.
Read MoreToday was a can't-be-bothered kind of day, thanks to a very early start, awfully muggy weather and playing four sets of music at a wedding fair with the entertainment agency I run. It was still about 30℃ when I got home, and melting into the furniture was about all I wanted to do. I gave in to that impulse for a few hours, but eventually the nagging feeling of not having done today's song got the better of me.
Read MoreI won't write too much tonight, instead I'll direct you over to Rehearsal Magazine, who have just published an interview I did with them this week. I will say that today life took over, and I was left with only a small window of time for today's composition. That window didn't coincide with my feeling particularly creative or inspired, so I forced myself through a few 90 second lyric writing exercises and then improvised with results.
Read MoreOne of the things you learn while studying jazz is how to be complicated. Every time I write something simple I have this voice in the back of my mind telling me it's not good enough because it's not full of crazy chords or in some kind of weird time signature. It's a ridiculous mindset, as there is plenty of beauty and skill in composing simply, but I really have to work hard to convince myself of that when I'm in the middle of writing and my inner critic is judging like mad.
Read MoreJust a quick post today, before I go and get a decent night's sleep. I kept on with the sea theme, and this piece is a kind of continuation of yesterday's story. Sonically it's structured in three sections: the sound of the waves above water, then the sound in your ears when you plunge under the water, and finally the sound of bubbles as they rush from your mouth.
Read MoreThere are several recurring themes that are emerging in these pieces, and one is clocks. I don't know why I'm so obsessed with clocks, but they seem to be right at the top of my unconscious mind all the time and keep springing into my writing. This morning while I was teaching a singing student the clock in my studio fell to the floor and smashed. This was completely down to my inappropriate choice of 3M Hook size, yet it still felt somewhat significant. Perhaps the clocks in my house are sick of me writing about them? Or maybe they are crying out for attention in our age of digital devices with time-keeping capabilities. Either way, I chose clocks as a starting point for today, which led me to memories of "dandelion clocks" from childhood - when you would count the number of puffs it would take to empty the flower of its feathers and that would tell you the time
Read MoreToday marks the end of week two, and I'm feeling awfully burnt out already. I'm mentally, physically and vocally exhausted from a six hour gig yesterday, and all I wanted today was to have a day off. I have to be kind to myself though. This project was never going to be easy, and will ebb and flow with my mental and physical energy levels, and it's something I have to learn to work with.
Read MoreIt seems I made the mistake yesterday of enjoying what I created, which put me under pressure to try and equal or better it today. My inner critic was turned on to max when I woke up, and I procrastinated for a good part of the day and then rejected my initial idea when I finally sat down to work. I decided making something vastly different to yesterday might help to distance me from comparisons, so I took just a few kernels of my rejected idea and improvised with them using my loop pedal.
Read MoreToday was hard, and it's only day three. I had about four hours sleep last night and spent most of the day as a zombie, but at about 11pm I pulled myself together enough to get this one out. These videos are the kind of thing I'd usually keep to myself, and not share them to become a public record of my experimentation. A huge part of this project, however, is about learning to put my inner critic on hold. Besides, tomorrow is another day and another chance to create something new.
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